Napoleon III’s wife was filled with awe. “De ma vie, je n’ai vue rien de plus beau”, voiced Eugenie de Montijo at the opening festivities of the Suez Canal. I’ve never seen anything as beautiful.
As Sebastian Gießmann notes about the scene, it was such a crystallisation of aesthetic sentiment with colonial aspirations, something that set the bar for the 19th century technological enthusiasm for progress and the planetary projects that defined a new global order. It was, after all, that the ceremonial boats passing through the canal were followed up by one last one; the one that lay down the telegraphic cable. Lewis Mumford’s later analysis coined already the late 19th century’s material basis as not national not continental but planetary – and this drive was visible in many of the transport projects and technological engineering too; planetary but always tied to a variety of geopolitical interests.
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